Two Poems
by Max McDonough
Incunabula over Knobby Scars
Hold out your hands, my mother says
in the dim-lit box of our bathroom,
windowless, the wallpaper a thicket
of coiled vines, roses
flattened in bloom, buds
stunted. It’s night. The tile’s cold
as chemical burn. She wants to guide
her stainless-steel tweezers
to my knuckle, to the lip
of another wart. We’ve done this
before: I’ve bitten the chapped inside
of my cheek as she yanked, scraped
without rage, her grip
calm on the flaw, exacting
the fix, while the sink’s basin
dribbled with color. But the roots
only deepened, sprouted back,
burrowed down closer to the vein
to defy her, I want to say, though she
was beyond ordinary resistance
or pain—in the bathroom lamplight
her shadow covers my waiting face.
Hold out your hands, she says.
Incunabula Standing Above Myself
Yet it’s my own face that ruptures
when I toss in the rock.
Rare sun, drifts of pewter riffling,
sound of people talking, trailing off...
Image, apparition. Not a bridge
but like a bright chill of water shifting.
Yes, I saw her do that
to him, the child is answering
the lawyer. Yes, I saw blood.
I didn’t do anything.
Max McDonough's work has been featured in The New York Times, AGNI, Best New Poets, Food52, Flipboard's "10 for Today," The Adroit Journal, Northwest Review, and T Magazine, among others. He lives and teaches in Philadelphia.